Our eyes tells us that far away objects are smaller. That is how we are able to judge distance. Because of this phenomenon, sculptors throughout the ages have employed a forced perspective technique, enlarging the head, torso and shoulders of tall monuments to create the illusion of correct proportions when seen from below. Michelangelo sculpted “David” with a forced perspective, making the top of the monument proportionally bigger to great effect. In my work, I apply a signature interpretation to this age old technique, executing it with the opposite intent to create the illusion of great size by speaking a codified visual language of the window to the soul.
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